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To set the vibrato speed, set the rate fader in the LFO section to 1.24 Hz with a delay time of 0.23. This controls the amount of pitch modulation, and finding the sweet spot is the key for many patches.
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Set the decay fader to 7, sustain to 0 and release to 5.5.įor the pitch vibrato, set the oscillator’s LFO fader (at the top-left) to 1.3. But in all of this, Mac tries to make sense of the whole thing, all over top his usual soundtrack of. To create some movement in the patch, set the filter’s env fader (envelope modulation) to 2 and set the VCA switch to env, which will set both the filter and the volume to be controlled by the ADSR envelope. Another One bounces between these poles much like the rest of DeMarcos music does - sometimes, hes a bundle of joy just ready to help a brother out, and sometimes hes trapped in his head, spiraling out of control into self-induced misery. 'Another One' is the folk() artists latest offering, the title track off his upcoming album Another One.Its due for release on August 7th, and you can grab a copy here. Set the main VCF filter’s frequency fader to 6 and resonance to 4, which will filter out some of the high-end, but still leave plenty of high-mids. Theres just something so laid back and absurd about Mac DeMarco that I cant help but pay attention. Raise the HPF filter to halfway, which will filter out some of the bass-end frequencies. Tracklist: 01 Cooking Up Something Good 02 The Stars Keep on Calling My Name 03 Dreamin’ Slow 04 Lonely Shredder 05 Robson Girl 06 Annie 07 Harrison Ford Escort 08 Sherrill 09 My Kind of Woman.
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The patch can be created in TAL-U-NO-LX, a fantastic and inexpensive software emulation of the similar Juno synths.įrom the default setting, turn on the square wave DCO and reduce the sub-oscillator volume to halfway. 1 Released: 2015 Style: Lo-Fi Format: MP3 320Kbps / FLAC Size: 148 Mb. The Chamber of Reflection lead synth was recorded on Mac’s Roland JX-3P, a vintage synth with a highly recognisable Roland chorus sound. The melody and chords are interpolated from the Shigeo Sekito song The Word II, reworked with vintage synths. Chamber of Reflection stands out on Salad Days as the only song that replaces Mac’s signature chorused guitar with swirling layers of synthesizers.